The techniques I'll discuss in this section can then be applied to other solo instruments, such as flutes, basses and violins.įor this article a 'part' will be an individually printed piece of music for a musician to play from (for example, first trumpet or flute). In this instalment we will start work on producing parts for a brass section (often referred to as a 'horn' section) and doing some basic formatting. Let's have a look at how to turn the MIDI regions you have in your Arrange window into usable, playable, printed parts for the scrapers, blowers and thumpers when they turn up at your studio. If you can get the notes into the correct key and onto the stave in a neat and tidy manner, you'll be a long way towards achieving your goal. But musicians are going to need musical parts to play from, and you've never used Logic in this way before. This song is just too good to rely on MIDI: it needs a human touch and you decide that it's time to ship in a bunch of musicians as the icing on the cake. You feel it's lacking the authenticity of real instruments played by real players. You've spent hours playing in or entering MIDI information, and it sounds as convincing as it's possible to make it sound using samplers and software instruments, but it's not quite there yet - there's something missing. Your orchestral MIDI track is coming along really well. If you want real musicians playing your composition but have no idea how scores should be presented for them, you can still make playable Logic parts with our simple guide.
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